Research
Activity
Current
Research Activity (September-December 2009)
The
"Single Individual" and the Eschatological Boundaries of
the Self
In
both his pseudonymous and veronymous works, Kierkegaard often speaks
of "the Single Individual" as the entity that will be subjected
to the "judgment of eternity" and make an "accounting"
of itself in its totality. This should not surprise us given Kierkegaard's
orthodox Lutheran commitments and primarily religious motivations.
But it is also often overlooked that, as Martin and Baressi (2003)
have noted, the modern question of personal identity emerges out of
specifically soteriological concerns, especially those raised by the
doctrine of bodily resurrection. Indeed, Locke himself sought an account
of identity compatible with the justice handed out on "the great
Day, wherein the Secrets of all Hearts shall be laid open" (Locke,
1731: 294). But in Kierkegaard's relational account of selfhood, what
- if anything - delineates the boundaries of the "single individual"
that is subjected to this eschatological judgment? What determines
what the individual is to take ultimate responsibility for? Is there
a limit, or is the self - as in Levinas - a point of infinite
responsibility? Or is it that Kierkegaard's wariness of anything
that looks like evasion of moral responsibility means the
question about the limits of our culpability cannot legitimately be
asked?
Recent
Research Activity (February 2008 - August 2009)
Minimal
vs. Narrative Selves
It's
generally accepted that Kierkegaard offers a post-Cartesian, non-substantialist
account of selfhood, but what sort of account? Several commentators
have sought to recruit Kierkegaard to the cause of "Narrative
Identity," and there is much in Judge William and Anti-Climacus'
talk of teleologically-qualified selves acquiring "histories"
that might suggest the Kierkegaardian self is constituted by a specifically
narrative form of continuity. But as John Lippitt has recently
argued (Lippitt, 2007), there are reasons to be wary of this move,
and narrative identity theory itself is not without problems: such
theories often seem to offer a construal of 'narrative' that is either
too strong (confusing life and art) or too weak to be particularly
informative. Hence narrativists like Marya Schechtman have tried to
find a middle path through these extremes (Schechtman, 2007).
Moreover,
there seems to be some form of personal unity prior to the
self's narrative organisation across time, even if such unity is only
momentary. Indeed, it can be argued that there has to be
such a pre-existing basic unity of selfhood, for only such a minimally-unified
self can organise itself into a state of narrative coherence across
time. Hence writers such as Dan Zahavi (2007), Shaun Gallagher (2000)
and Antonio Damasio (1999) have drawn, in somewhat different but cognate
ways, a distinction between the temporally-extended "narrative/autobiographical
self" and the "core/minimal self" (prior to any temporal
extension and associated with the phenomenal sense of 'ipseity' or
'mineness'). The minimal self can exist without the narrative self,
as demonstrated in cases such as Korsakoff's Syndrome, but not vice
versa.
Such
a distinction has not, to date, been noted in Kierkegaard by those
who read him as a narrativist. However,
in both the second volume of Either/Or and in The Sickness
Unto Death we find references to an eternal, "naked, abstract
self", identified with freedom and eternality, and distinguishable
from both social roles/relations and, apparently, the individual's
psychological history and personality. Is this a counterpart to the
contemporary "minimal self"? If so, how does its presentation
differ in these two works, particularly with reference to this self's
"eternality"? What exactly might this eternal "core"
self might be for Kierkegaard, if not a Cartesian ego or immaterial
soul?
Recent
Research Activity (February-December 2008)
The
Persistence of Selves?
Traditional
accounts of personal identity have, implicitly or explicitly, concerned
themselves primarily with questions of “re-identification”
across time: how do we know that the person stage encountered at t2
is the same self as the person-stage encountered at t1? In other words,
they seek to identify the persistence conditions – if any –
of selves across time. Neo-Lockean or “Psychological Criterion”
accounts of personal identity have particularly looked to relations
of psychological continuity (memory, dispositions, commitments, etc)
to constitute these persistence conditions.
At
first blush, the ontology of self articulated in The Sickness
Unto Death looks like a form of neo-Lockean identity model, albeit
of a very peculiar type. For Anti-Climacus, the self is not to be
found among the physical, psychological and social continuities that
characterize human beings, but instead is constituted by a particular
way in which the human relates to itself. We could therefore say that
the persistence conditions of Anti-Climacan selves are that they continue
to relate to themselves in this self-constituting manner.
Yet
if we take such a form of self-relation as constituting selfhood,
we run into a series of problems even more severe than those that
have bedeviled neo-Lockean personal identity theory. Most seriously,
Anti-Climacus claims that selves can apparently be lost, yet if selves
can be lost and regained this opens up problems of re-identification
and transitivity: how can the same self cease to exist and then come
back into existence? How can a point in the life of a human be “appropriated”
into a self at t1, not appropriated at t2 and re-appropriated at t3?
Part
of the answer might be to differentiate Kierkegaard’s account
of selfhood from the neo-Lockean one with respect to the question
of time and persistence, focused through Kierkegaard’s discussion
of the “eternal” element in the self. Does Kierkegaard
have a traditional account of selves as things which persist across
time? Or is Kierkegaard’s understanding of selfhood as a first-personal,
ethical/eschatological problem such that the question of persistence
cannot be raised? What would the implications of this be for a Kierkegaardian
response to the questions posed by neo-Lockeans?
Temporal Alienation and Loss of Presence
We
take it as a brute fact of life that time only “flows”
in one direction – so much so, in fact, that even philosophers
have largely ignored the question of the rationality of our asymmetric
attitudes to the past and future (we’d rather have a given quantity
of good in our future than in our past, for example). However, in
Reasons and Persons (1984), Derek Parfit argues that despite
their ingrained nature these asymmetrical attitudes to time are irrational
and should be dispensed with. Parfit sketches a figure he calls “Timeless”,
a self whose attitudes to past and present are perfectly symmetrical.
We might find Timeless’ form of life alien, disquieting and
hard to imagine, but Parfit insists this is no impediment to recommending
such a form of life.
Yet
“Timeless” is not the first figure in philosophy to violate
our usual asymmetrical attitudes to time. In Either/Or, we
are presented with a series of portraits of the aesthete as a figure
suffering from a form of temporal alienation: the aesthete apparently
uses recollection and imagination to range freely across the past
and future, while somehow hoping for the past and recollecting the
future. The Kierkegaardian aesthete therefore calls into question
the normativity of temporal directionality, a normativity that Judge
William tries to supply with an ethical account of time. In that he’s
not alone either – for instance, the British Idealist J. Ellis
McTaggart argued for certain asymmetries on broadly ethical grounds.
But McTaggart bases this normativity upon the very asymmetrical attitudes
to time that the figure of the Kierkegaardian aesthete calls into
question. Does Judge William do any better in trying to ground the
normativity of a one-way temporal orientation? Or does he merely give
us a new form of punctual time? To make the directionality of time
normative, do we need a specifically eschatological conception of
time, as offered in The Concept of Anxiety?
What’s
Missing in Strawson’s Episodic Selfhood?
In
a series of important papers, Galen Strawson has argued that humans
have a range of “temporal temperaments”: some people are
“Episodics”, who experience their self – understood
as the mental thing that’s having this experience right now
– as something with no significant temporal extension, while
others are “Diachronics” whose self-experience includes
a sense that the self (not merely the human being) they are now existed
in the past and will exist in the future.
In
Kierkegaard’s writings we find extended, philosophically-structured
descriptions of the phenomenon of experiencing co-identity with representations
of one’s past and future selves. This section of the project
therefore seeks to use Kierkegaard’s description of cognitive
“contemporaneity” (samtidighed) to fill out the phenomenology
of diachronic self-experience, and explore the implications of Kierkegaard’s
normatively-laden model of self-experience for Strawson’s account.
Self,
Imagination and Time
Philosophers
have long noted that we often ”identify” less strongly
(implicitly or explicitly) with our near-future selves than our far-future
selves (e.g. Parfit, 1984). This blunt psychological fact throws up
significant problems for our intuitions about personal identity and
responsibility. Some philosophers have attempted to determine under
what conditions we can and cannot so identify with our past and future
selves, seeking some affective quality in memory that can sustain
our identification (such as Schechtman’s “empathic access”
[Schechtman, 2003]). Others have denied that there is any sense of
identification with the self we encounter in our memories of the past
and apprehensions of the future; there is nothing internal to these
experiences that makes the self figured in them any more me than anyone
else (Strawson, 1997; Giles, 1997).
Once
again, Kierkegaard’s notion of contemporaneity seem to be a
useful input into these discussions. But does the mode of subjective
thinking Kierkegaard variously calls “interested”, “contemporaneous”
and “earnest” really secure “co-presence”
with the temporally distant selves we remember/imagine? If so, how?
Does it give us a reason to care equally about our temporally close
and distant selves? Can this model cope with situations of radical
changes in our character and concerns across time? What are the limits
of this capacity for Kierkegaard?
Concurrent Research Activity
- Co-presence
with death and the ontological status of the dead in Works
of Love and “At a Graveside”
- The
“Borddandsen” craze in the socio-religious context
of Kierkegaard’s Copenhagen